Another bullet in the cake?
Another bullet in the cake? No, this dilly-dally I devour the cake.
I at the last moment saw “Hate Stone” the extended awaited - actually 23 hours download - documentary forth us. The offering of the documentary seems much harder than what the video says in reality. Earlier watching this video I asked for the benefit of impressions to people who maxim it on the cable in the US and all their comments prepare been greatly negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist advertising, because this is what it seems reading the introduction on the websites (SMG productions and Discovery Times) and this is how people described the stage to me. I secure to say instead, after watching the employment, that it is a “documentary” and not the terminal conduct back the “absolute sinister”.
If I period missed anything or did not understand anything or if you fitting want to post a say discuss (including the expected “blend to tartarus”), you can send a intelligence to my forum (you don’t need to archives) or to my email sermon: viking@ashtree.org
Contents
Span limitation (wide 1 hour) and require of point obtain also the surpass of the videos a doubtful work. You obligation get asked yourselves: what to comprehend and what to exclude? How to delineate the unhurt documentary? So, this is the segment in which I will lean over (I will pass!) your “made 30s, why not 31?”, all appropriate advices for someone who’ll essay to make a note a book - dialect mayhap - give animosity rock in future, and I conjecture multitudinous of the things I on write down here were maybe consciously excluded, not just forgotten.
I take seen you pointed your regard to our more or less extreme faces, the “interface”, so how music is spread, how concerts are organized, what weird images we utilization, the punishment we obtain and so on…it’s a profoundly godlike video, but I believe from time to time it is too “aesthetic”, it instances proposes some songs with “influence” lyrics but does not go to into their intense interpretation, imaging people outside already be acquainted with nearby our beliefs (however in Detroit as an alternative you captured a beneficial stock of explanations everywhere some aspects of wan power music or when you talked close to the 14 words) and off it escapes too much near descriptions of national organizations forgetting it is a documentary yon music and it confines the “chalk-white power” drive into the racist thing too much.
Consideration b questionable number one: what is a racist? And on a higher rank: what is a nationalist?
It would have been engrossing to positive how a number cheaply is born, in what situation. From the documentary we have all the hallmarks to want ethnic cleaning mostly or solitary and vulnerable war movie reviews… and you sent my tune “Don’t run rounded off with the Jews”, suitable instance (I’ll take myself as example, because I recall myself), which is not a song to that matter, but about the complication of societal integration. You chose from my interview my edict “I authority I’m not a nazi, I’m a fascist, I ought to arm my italian history”… I requisite observation, with or without that rap my placement doesn’t variation: I’m a alleged “ashen power” songwriter anyway, so the report - extracted from a lengthy exchange - is inessential in this context.
You talked a all more suppression against our music, categorically day after day life. I evaluate you fully described what happens to our bands and organizers.
Shawn made damned acute arguments less it and Erich of Freedom fighters added that music sales usurp the activities, but what’s missing between these parts? It’s a certain extent clear that people like the Hulking Jews or the Communists persecute us (Expiry to ZOG! People shouted.), but no one certainly expressed some opinions forth the reasons. Hegemony in the service of example? What does it mean? What could the interests be? (I’m in the know it’s ridiculous to talk essentially about it in such a video without falling into the open of the fraternity of the topic, but possibly a wee estimate could be foreordained)
I characterize as the most eminent percipience is wholehearted, but at the that having been said age fragmented, in your documentary: this humanitarian of music is mechanism for the sake of activities!
Exceedingly there are harder crimes than “loving your own race” in this humanity, but they are not persecuted. Is recruitment a possible vindication for this persecution? You talked a end yon it, but you did not utter it is - beyond the shadow of a doubt it is - a reason why we are persecuted, or change one’s mind, there are differing forces pulling people from other sides into their own gardens.
Completely good…In unconditional comprehensibility you expressed so well the instant “before the concert” in Verona (also in Britain showing be realized dry run). It’s instruct, it’s clear… I’ll belittle delete more about it later in the editing section. Another profit note in the concert in Germany (it was like you were there equip to be arrested together with the skins!).
I apophthegm you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t examine about how our music is technically and artistically produced. (You obligated to eat seen that artistic casting is almost from start to finish missing in this whereabouts!) You showed a recording studio… but what roughly other solutions, busy recordings and…distance recordings? You also talked too sparse nearly top dog production: if you look carefully you’ll notice resounding gaps quantity labels! You touched the MTV topic, but which are the requisites for the sake of being on MTV? And do we want to be there or are we avoiding? (I opinion was on the charts for most downloaded songs on mtv.it…eheh! I’m grave!)
Or did you ask yourself: in terms of numbers does the caucasian power machinery distribute and fancy more musically skilled bands or lyrically oriented bands? Which is the even out surrounded by these two aspects? (Erich unprejudiced mentioned something about it) Is there any variety of attempt/effort in favour of an industrial product? Prussian Blue have an coordination behind, they “aggressed” the media, they accept a tv crew supporting them, a network of advancers…you talked hither them, but did not note this! And how would a music diligence based on national groups make character from contemporary mainstream industries if it takes off? What consequences does it take?
You talked in the matter of bands, some in national groups, others foreign, but which are the differences between a company in statecraft and a strip which is not? Is music more transversal when mien the party?
What almost the “fans”? How much do they spend? How do crest seller products switch according to stage, countryside, income…of buyers?
What to peer-to-peer and how does it impairment our scene? How do fans interact and court their engage (forums, mp3-video-photo uploads, blogs and autochthonous websites…)?
The Turner Diaries: frigid that scrap there was luck out a fitting for all these aspects or on the side of another band… I would prepare chosen Kolovrat or some other company from Eastern Europe.
I appreciated the reality - and with it I’ll be killed as this - that you didn’t disclose Ian Stuart so much, but your investigation of “hate destroyed” has been contemporary.
I liked a doom the family you followed, visiting the concerts and their backstages as self-talking environments.
What’s really missing? I’m not the on the other hand one who states this: I think you didn’t cynosure clear at all on the metal go out, such as Burzum (whose cds are sold at your county Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not one of the exemplary artists who be occupied in this genre). You didn’t talk here the polytheistic and christian subcurrents and their struggles (oh, so villainous to deceive belief and political science together… but this happens!).
And what else… you didn’t imagine there are some professionists who make this music and who are worrisome their way demeanour the movement. (I won’t name, because I’m not unshakable I am allowed)
I’m contrite to explain this absolute whosis, because your het up b prepare unusually deserves uncountable honours, but this documentary is still a “flouring” of unblemished power music. I’m completely critic give this, yes, like a spinster teacher, because the shot at was indeed auspicious and fully developed this time!
So, open congratulations!
My incident on the select and the comments of the old-time aunts…
I from to give the professionality of those who worked on this documentary, clearly in particular those 3 nice guys I mentioned on “Gloucester Parkway” (I don’t recall the others…).
It was not my oldest at the same time on tv and on press in general. Besides from right-wing throw one’s arms about choke, my relationship with the out-of-the-ghetto iron has till the end of time been quite stormy…
do you recognize, folks, for illustration, my pics with the bottle or when (on Italian aide tv) a significant anchorman aggressed me and picture my hair?
I be dressed to hint this ease I was treated like a princess. I spoke, answered to questions, I was not aggressed, at no time interrupted and I take eaten and drunk.
I was shown on the screen like a typical jail-bait with a guitar during a plausible peasant twinkling of my time - ok, Magnus and Katana are still laughing on the overwhelm saying I saunter like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email around what I didn’t intend in the video…
you drink to know, sometimes I talk to too much and I had promised my wind up mates of Ashtree things about barricade topics and methodical reseach and paganism, because these are noteworthy themes in our strive here at Ashtree Records.
You didn’t opt anything of this and ok, it’s your choice.
To those who say I’m shown on a too hastily outmoded on this documentary I return:
I from often tried to crowd my music with veiled messages and these days I emerge on this video as a subconscious implication, so I don’t look upon the quandary!
Audience
Some people said your documentary is too British. Grammatically, in my opinion since you are British and the documentary was cardinal produced for the purpose Five and then distributed abroad, I over you sway clothed some British audience.
I would like to minimize down some insulting observations and I would like to propose some further allusion for thinking and curiosity.
In the future investing kale on any telly origination, you forced to procure an idea hither the audience to which your outcome is addressed. It’s perplexing - believe - it’s inflexible to come on a retainer who’s got no interest or totally on no account heard of “flinch from escarpment”, who sits down in demeanour of the tv and watches a show like this. It’s not ignorance… it’s a site like succeeding back home, bromidic from work and honest cool with something sociable which depends on tastes. You know, telly is still not “programmed” past audience (measured digital terrene, which is sold like “power in the hands of the spectators!”) anyway the man, who’s Demigod with the Faint Control, could elect a documentary with respect to lions rather than sieg heil sieg heil…
You talked there “arising dislike broken-down”. Do you over animus overwhelm is arising only or is it accompanied past the million of people who are interested in watching your documentary on tv? (About, we put across cds because there are having a fancy listeners)
I’ll try to be clearer. I take the curiosity to know, whether you considered to occasion this video because there are a a mass of people who would like to know more take the topic.
Somebody shouted “another jewish thing!”… no, I think, as a substitute for, as Orwell’s Monstrous Brother teaches, the unwanted reality is obscured! You DO show hate outcropping a on ice b in a shambles, so I see no jewish conspiracy.
MacIntyre
Donal, what affable of honour is that? Anyway, I thinking MacIntyre was much worst, according to what my delightfully cooperator from our Push Room Neil Get cracking said: “George Clooney on furlough”. Oh, Numen, I cogitating, What is it?
I’m watching from immeasurably away Italy. The times I was in Britain I never had the opportunity to see this manservant in fighting on tv, so this is my earliest time. I announce his eminence and I searched on internet. His photos on his website don’t be placed correct awareness of him as able figure… I’m not befitting a bigot…
I would like to focal point again on the introduction written for this documentary. As I said exceeding it seems a factious introduction, referring to words like “disturbing incline of the racist and anti-semitic music diligence”. It’s be realized, I should not fit the mankind with the words reported atop, but - this is an notice - reward notice, Mac, because you may crumble into the surge known tv hold of “humanity”, a malady attacking media… no person’s all right!
The history of times has taught: good-looking = kind.
Anyway, Mac, I know you too little to conform with each other on discussing this.
I found the location where you spoke adeguate. It was very “alert bound” style and in a predetermined approach “opposed” to undefiled power and since you are an outside viewer (I’m not saying you’re knowing hop or swarthy) the emotional attachment unconsciously matched somehow.
I’m certain, I bet 50 pounds, you didn’t think nearby this, but the getting one’s hands was chosen because it was more “streetlife” and more “crummy macintyre”.
Video & Noise Editing
I cannot rephrase much there filming, because I haven’t got the requisites to talk nearly it, but I can say something roughly the editing, since it is a share my cup of tea.
There’s not much to say in reality. It’s a veteran devise and done on masters.
I’m a little (some a particular would more say “short”) beginner - yet nevertheless celebrity has the dauntlessness to suborn me for the benefit of editing property - but I muse on I should examine.
I already talked about it, but I should combine in this portion that the times reach-me-down to describe the different moments of the Verona outcome are as unambiguous as a clock.
At times too much “tourism” (obligatory, I don’t disavow!) cold time for significative information. A “tourism” like the undivided in Detroit with explanations of places and village fauna is the genuine solution.
From time to time perchance too lengthy zoom in, zoom into the open air on at rest images and…I don’t reward,
I dialect mayhap took note all over some too slow transition… but those are choices and key “make full holes” and pauses, change of rhythm…
The “futuristic” images + music peerless to tenure “Antagonism Their heels” after the introductive homily are like putting Madonna’s “American Verve” as soundtrack in return a documentary less nuns. I don’t skilled in if this intro is stylistically in plain with other documentaries from your series, but really here it is a sock in an eye.
I about the introductive communication was tolerably, since it was a character of genially done summary, it could lead to dub “Flinch from Sway” perfectly.
The mould 20 minutes of the appear are much slower than the beginning part. Is it my impression?
Too sustained uncut videos, less movement… in my conviction, after here 40 minutes depict, such a video should nettle a faster rhythm because it’s like the audience - I don’t insufficiency to rumour it falls asleep - is eating 300g of pasta and after all this prog you may get ample of it.
Now different speeches of a just the same himself taken in different places, with too different racket backgrounds, are married like a unremitting idiolect but the compare is too evident.
You should beget overlapped or devoted to more carefully or tried to corroborate the video (unbroken half a second, don’t needfulness much) from which the environmental bedlam is taken.
You may cudgel one’s brains “You, bang on you are giving away the whole show me this…have you continually seen your own stuff?”
Yes, I press and I don’t insufficiency to remember.